ItemLux
ItemLux is our way to give visible form to perceptual forces. We do not depict a subject; we favor images that act on the gaze—energy fields that vibrate and reshape space. Here you’ll find a catalog of art prints, each one individually curated, born from proprietary software and an aesthetic research where formal rigor meets visual freedom.
Vision
We believe in art that does not merely illustrate but happens before your eyes. We work with rhythm, tangencies, chromatic interference and controlled micro-asymmetries to spark a perceptual resonance: a small shift of attention that can refresh a room, the light, even the viewer’s mood.
What ItemLux is
ItemLux is both a visual research lab and an image imprint. Each series is developed in-house with “Visi*” tools we build ourselves—algorithms that draw, test, and recombine. We stop when the print speaks for itself: what remains is the essential relationship between image and observer.
Optical Futurism
Our poetics live inside Optical Futurism, a current that embraces Futurism’s energy and Op Art’s discipline while setting aside the primacy of the subject in favor of the forces that cross it. Not immaculate repetition, but a controlled irregularity that lets the image breathe and feel alive.
The Book
“Optical Futurism – Manifesto and Visual Practices” lays the theoretical ground: historical roots, operative principles, and applications in design and image-making. It is written for those who want to understand how our works are built and why they perform in lived spaces.
How we work
From algorithm to canvas: visual exploration, color calibration on canvas, tests on off-cuts of the same substrate, ink curing/settling time, and final QA. We print with pigment inks on professional canvas, focusing on fine detail and tonal continuity. Where specified, we apply a protective varnish; delivery can be stretched on frame or rolled.
Collections & editions
Works are published in three modes, always stated on the artwork page: UNIMAS (unique master), SERCOP (numbered limited editions), STANCOP (standard copies, open or project-contingent). Each print lists its type, numbering when applicable, and certification details.
For collectors & interior designers
We support selection with advice on sizes, palettes, wall sequences, and on how images converse with light, furniture, and materials. We also develop coordinated sets for residential, hospitality, and retail spaces, with customization options within the poetics of each piece.
Quality & packaging
Quality comes from consistency across file, profile, canvas and finish. Each work is checked under controlled light and packed in rigid, shock-resistant packaging (tube or crate, depending on size), with internal protections to prevent abrasion.
Who we are
ItemLux is led by Stefano Bisogni (Visiware S.a.s.): developer and author of the Manifesto, passionate about Futurism, Op Art, and Jazz. For years he has woven code and image to build a visual vocabulary where algorithm and sensibility truly work together.
Practical notes
Our standard lead time is about one month: it includes tests on canvas, calibration, ink curing/settling and, where specified, varnishing and stabilization. Moving from a digital file to canvas requires several steps to achieve optimal rendering.
If a work has been printed and profiled before (exhibitions or previous editions), turnaround is shorter and delivery can be much faster.
Transit damage — simplified replacement: if your parcel arrives damaged, we replace the piece at no cost. Report within 48 hours with photos of the packaging and the canvas plus your order number; we’ll ship a new copy and handle the claim with the carrier. In general, no return is required unless specifically requested.